Une Larme For Double Bass And Piano

In the late 1850s, when Rossini was composing only for his own private pleasure, he wrote a little elegy for double bass and piano that he entitled “une larme” (“a tear”). Its theme also served as the basis for a larger-scale set of variations for cello and piano. The importance that Rossini ascribed to this short piece for double bass is demonstrated not least by the fact that he made a richly ornamented dedication copy of it in 1858. This hitherto little-known source is in Russia and has now been consulted for the first-ever time for a critical Urtext edition. As in Henle’s other Urtext editions for this instrument, the double bass specialist Tobias Glöckler has prepared aversion in solo tuning and orchestral tuning and added fingerings and bowings to the solo part.